Oil On Canvas, Real Flavor of Old Masters

All PESNE, Antoine 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
64322  
countess sophia maria de voss, PESNE, Antoine
 
 countess sophia maria de voss   1745 berlin staatliche schlösser und gärten
79672  
La Barbarina, PESNE, Antoine
 
 La Barbarina   1745(1745) Medium Oil on canvas Dimensions 221 x 140 cm (87 x 55.1 in) cyf
80058  
Nachtsteck, PESNE, Antoine
 
 Nachtsteck   1718 Medium Oil on canvas Dimensions 115 x 146.5 cm cyf
79275  
Nachtstuck, PESNE, Antoine
 
 Nachtstuck   1718 Medium Oil on canvas Dimensions 115 x 146.5 cm cyf
78736  
Portrait of, PESNE, Antoine
 
 Portrait of   ca. 1739(1739) Medium Oil on canvas cyf
79333  
Portrait of Elisabeth Christine von Braunschweig Bevern, PESNE, Antoine
 
 Portrait of Elisabeth Christine von Braunschweig Bevern   ca. 1739(1739) Medium Oil on canvas cyf
82421  
Portrait of Jean Baptiste Gayot Dubuisson, PESNE, Antoine
 
 Portrait of Jean Baptiste Gayot Dubuisson   . 1725(1725) Medium Oil on canvas Dimensions 134.5 x 104 cm (53 x 40.9 in) cyf
8538  
Self-portrait with Daughters sg, PESNE, Antoine
 
 Self-portrait with Daughters sg   1754 Oil on canvas, 167 x 150 cm Staatliche Museen, Berlin
19848  
The Artist at Work with his Two Daughters, PESNE, Antoine
 
 The Artist at Work with his Two Daughters   1754 Oil on canvas Gemäldegalerie, Berlin.
19847  
The Dancer Barbara Campanini, PESNE, Antoine
 
 The Dancer Barbara Campanini   1745 Oil on canvas Schloss Charlottenberg, Berlin.

PESNE, Antoine
French painter (1683-1757) French painter active in Prussia. He studied with his father, the portrait painter Thomas Pesne (1653-1727), and with his maternal great-uncle, Charles de La Fosse. In 1703, as a pupil at the Academie Royale, he would have won the Prix de Rome with his Moses and the Daughters of Jethro (untraced), had not Jules Hardouin Mansart, adviser to the Academie, deemed all entries that year unworthy. Nevertheless Pesne left for Italy, making the acquaintance of Jean Raoux in Venice and being allowed the use of a studio in Rome by Charles Porson, Director of the Academie de France. While in Venice, Pesne painted the portrait of Friedrich Ernst von Knyphausen



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